Bartolome Esteban Murillo
Spanish
1618-1682
Bartolome Esteban Murillo Galleries
Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works.
In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception.
After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others. Related Paintings of Bartolome Esteban Murillo :. | Aristocrat Don Juan Dream | Bartolome Esteban Murillo | Two Trinities | Wolves wanderer overspending | Dolorosa | Related Artists: ivan generalicIvan Generalic (December 21, 1914--November 27, 1992) was a Croatian naive art painter.
Generalic was born in Hlebine near Koprivnica. In elementary school, painting lessons were his greatest joy and as a child he used to earn money. He mostly drew with pencil on paper bags and some of these sketches were seen by Krsto Hegedusic, at the time (1930) just a student of the art academy, later a professor. Hegedusic was impressed with Generalic's work and organized Generalic's first public art exhibition, held in 1931 in the Zagreb Art pavilion. Positive critiques and contacts at the time led to a new era of not only Croatian, but also world art as well.
After World War II, in 1945 he became a member of ULUH (society of Croatian artists). In 1953 he exhibited in Paris, where he lived and painted for a few months. In 1959 he painted The Deer Wedding - his most valuable work, according to followers of the Croatian naïve art world. Ernst William Christmas (1863-1918) was an Australian painter. He was born near Adelaide, South Australia in 1863 and studied art in Adelaide, Sydney and in London. He painted widely in England, exhibiting in the early years of the century at the Royal Academy, the Royal Institute of Oil Painters, the Royal Society of British Artists, the Royal Glasgow Institute of Fine Arts and in the provinces.
He was elected to the British Royal British Academy in 1909. In 1910-11, he painted mountains and lakes in Argentina and Chile. He lived in San Francisco around 1900 and again around 1915. He was an avid traveller, but spent the last two years of his life in Hawaii, where he painted landscapes including dramatic volcano scenes. Ernest William Christmas died in Honolulu in 1918.
Francesco del CossaItalian
c1435-c1478
Francesco del Cossa Location
Italian painter. He was a leading representative of the Ferrarese school and was regarded, with Ercole de Roberti, as the founder of the Bolognese school. His principal works include The Glorification of March, April, and May, frescoes in the Schifanoia Palace, Ferrara; some admirable portraits of the artist contemporaries; Madonna Enthroned (Bologna); Madonna and Child with Angels, St. Liberal, and St. Lucy (National Gall. of Art, Washington, D.C.); and an altarpiece representing scenes from the life of St. Vincent Ferrer (National Gall., London, and the Vatican).
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